PURPOSE
Although the Workshop has been discontinued, TheatrGROUP will remain visible on the Internet as an educational resource for actors and theatre enthusiasts everywhere. The information offered here covers everything from Getting Started As An Actor to Method Acting Procedures, as well as including links to other valuable acting and theatre related websites.
Simply stated, "Method" acting is acting "real" by using experiences
and impressions from the actor's own life to create the life of the character
onstage.
Lee Strasberg described
the results of this approach by stating that "conventional" acting comes
out to you, the audience, and "shows" you, and "demonstrates"
to you. ["Method"] acting demands that you, the audience,
go where it is going, so that you not simply understand what the character is
experiencing, you also experience it.
Training in the fundamentals of Relaxation, Sense Memory, Concentration &
Imagination, the actor begins the lifelong process of using himself to breathe
life into the fiction of the play, as his inner awareness and artistic sense of
truth develop with time and experience.
RELAXATION
Tension is the actor's greatest enemy. Strasberg devised an exercise
which helps the actor identify unwanted tension in the body, including mental
tension, then release that tension through an act of will. Until an actor
is properly relaxed onstage, he cannot express in purest form the thoughts and
emotions which propel his character through the events of the play. The
importance of relaxation is proven repeatedly in the workshop.
SENSE MEMORY
The actor must learn to make his senses respond onstage as they do in real life.
Strasberg's Sense Memory exercises were developed to help the actor strengthen
his awareness of how the senses affect him in life. Only when the actor
believes that what he is doing on the stage is real, will the audience
also believe that what he is doing on the stage is real. Sensory exercises
help the actor learn to concentrate on specific "objects of attention"
(determined from the logic of the play) and to overcome "moments of difficulty"
in his life onstage.
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